Language: en
Pages: 190
Pages: 190
Adorno viewed mass culture as commodified - produced to be sold on the market and without aesthetic value. Here, Deborah Cook critically examines this view and
Language: en
Pages: 346
Pages: 346
The Cultural Industries, Second Edition combines a political economy approach with the best aspects of cultural studies, sociology, communication studies, and s
Language: en
Pages: 190
Pages: 190
The concept of culture industry leads a double life. On the one hand, it appears as transparent, being used widely and freely in reference to a branch of busine
Language: en
Pages: 175
Pages: 175
One of the most influential philosophers and cultural theorists of the twentieth century, Theodor Adorno poses a considerable challenge to students. His works c
Language: en
Pages: 250
Pages: 250
This book addresses the notorious split between the two fields of cultural studies and political economy. Drawing on the works of Harold Innis, Theodor Adorno,
Language: en
Pages: 316
Pages: 316
A couple of decades after Margaret Thatcher managed to radically transform the rules of industrial relations in Britain, there has been a great deal of debate,
Language: en
Pages: 346
Pages: 346
Building on the work of Theodor Adorno and Walter Benjamin, Capitalizing on Culture presents an innovative, accessible, and timely exploration of critical theor
Language: en
Pages:
Pages:
Adorno is often left out of the &“canon&” of influences on contemporary feminist theory, but these essays show that his work can provide valuable material f
Language: en
Pages: 560
Pages: 560
The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in econo
Language: en
Pages: 218
Pages: 218
Feminism and Power: the Need for Critical Theory is a six-chapter manuscript which offers an important critique of “power feminism.” The latter, having prod